![]() The philosophy of impressionism is based on expressing one’s perceptions or impressions of subject matter as opposed to mechanical, linear depictions. Oscar-Claude Monet, born in Paris, France, was the founder of the French Impressionist movement in art. 225.National Museum Cardiff of Cardiff, Wales Julia Knöschke in Impressionism: The Art of Landscape. Paul Hayes Tucker in Monet: Beyond Impressionism. Anne-Birgitte Fonsmark in Monet: Beyond Impressionism. Gottfried Boehm in Venice: From Canaletto and Turner to Monet. Tomoko Matsuoka in L'Art de Monet et sa postérité. Zafran in Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff. Das Ambivalente in der Kunst Leonardos, Monets und Mondrians. ![]() "Exhibition Reviews: London, Monet." Burlington Magazine 141 (April 1999), p. Paul Hayes Tucker in Monet in the 20th Century. 4, Catalogue raisonné–Werkverzeichnis: Nos. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. "Free Spirits." Sun-Sentinel (Fort Lauderdale) (December 20, 1992), p. ![]() Gary Tinterow in Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century. 11 (color), claims that it was number 18 in the 1912 Bernheim-Jeune exhibition of Monet's Venetian scenes. Claude Monet: Biographie et catalogue raisonné. cat., Galeries nationales du Grand Palais. Sylvie Gache in Hommage à Claude Monet (1840–1926). Observation and Reflection: Claude Monet. "The Monets in the Metropolitan Museum." Metropolitan Museum Journal 3 (1970), pp. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. "Vision d'art: Venise par Claude Monet." Le Gaulois (June 14, 1912), p. Venise vue par Claude Monet." Le temps (June 11, 1912), p. "Art et curiosité: Une féerie de lumière et de couleur. "Un radieux poème à la gloire de Venise." Le Matin (June 3, 1912), p. "Beaux-Arts et curiosité: les "Venise" de Cl. Monet." La dépêche de Toulouse (May 30, 1912), p. "La Vie artistique: Claude Monet et Venise." Le Figaro (May 29, 1912), p. LOAN OF THIS WORK IS RESTRICTED.Īrsène Alexandre. "Monet: Beyond Impressionism," August 24–December 4, 2016, unnumbered cat. 211, as "The Palazzo Ducale seen from San Giorgio Maggiore"). "Venice: From Canaletto and Turner to Monet," September 28, 2008–January 25, 2009, unnumbered cat. "L'Art de Monet et sa posterité," April 7–July 2, 2007, no. "Monet in the 20th Century," January 23–April 18, 1999, no. "Monet in the 20th Century," September 20–December 27, 1998, no. "Monet and the Mediterranean," October 10, 1997–January 4, 1998, unnumbered cat. "Monet and the Mediterranean," June 8–September 7, 1997, unnumbered cat. "Corot to Cézanne: 19th Century French Paintings from The Metropolitan Museum of Art," December 22, 1992–April 11, 1993, no catalogue. "Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century," March 25–June 4, 1989, no. "Landscape Painting in the East and West," June 7–July 13, 1986, no. 13 (as "Venice: The Wogés Palace Seen from San Giorgio Maggiore"). "Landscape Painting in the East and West," April 19–June 1, 1986, no. 117 (as "Le Palais Ducal vu de San-Giorgio," lent by collection Durand-Ruel). "Claude Monet: Exposition rétrospective," 1931, no. "Paintings by Modern French Masters," December 1917, no. "Tableaux Durand-Ruel," April 1917, no catalogue?. "Tableaux Durand-Ruel," March–April 1916, no catalogue?.
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